The Nudo prasiolite bangle is organised around an opening. Two green stones sit at its ends, visibly unequal in size, and the space between them keeps the composition from becoming a closed circle. In Pomellato’s official worn photograph, that gap is as important as either stone. The eye moves across the wrist from one coloured volume to the other, with the quieter gold line completing the route around the arm.
Two green stones, facing across a gap
The featured reference is PBC1006-O7WHR-DB0PA. It is a specific open bangle within the broader Nudo collection, not a survey of every Nudo gemstone or a new-launch claim. That focus allows the article to connect a documented product description with several views of the same object: complete outline, front, closer construction and worn scale. The collection image of two other Nudo rings appears only as design context.
The bangle’s visual appeal is not simply that the stones are green. It is the contrast between a pair and an imbalance. Two ends establish a relationship, while their unequal volumes prevent the relationship from becoming mechanically symmetrical. The official images make that distinction available to inspect before any broader story about colour is added to it.
The specification belongs to this bangle
Pomellato describes the reference as an 18K rose-gold bracelet with two prasiolites of approximately 9.5 and 5.9 carats. It also lists 38 white diamonds, approximately 0.5 carat in total, on 18K white rhodium-plated rose gold. These are the maker’s published figures and wording for this product. They are not independent measurements, and the approximate weights should remain approximate rather than being presented as exact values for every supplied item.
The two stone weights are especially useful because they support the visible asymmetry. A photograph can show that one end is larger, but perspective can exaggerate that difference. The product description confirms that unequal stone sizes are an intentional part of this reference. It gives the visual reading a firmer basis without requiring a claim about the exact dimensions of each stone or how their colour would appear under every kind of light.
Prasiolite is the gemstone identity supplied by the maker. The green colour in the photograph is not a substitute for that identification, and it should not be used to make independent statements about treatment, origin or grading. Likewise, the broader Nudo collection’s use of other stones does not change the specification of this bangle. The two levels are related through design, but they remain separate records: a collection vocabulary and a named object with its own materials.
The outline makes asymmetry feel balanced
The complete studio view exposes the bangle’s curved line and the opening between its ends. The stones occupy the most prominent positions, but the band is essential to understanding their relationship. It gives the composition continuity without filling the gap. The eye can follow one uninterrupted route around most of the object, then encounter a deliberate pause where the coloured volumes face one another.
The front view reduces some of the perspective of the angled photograph. It makes the distance between the ends easier to read as part of the whole silhouette. The detail view, by contrast, brings attention to one stone and the brighter diamond-set area around its support. Each frame serves a different purpose. Repeating several nearly identical full views would add little; moving from outline to front to construction provides a useful change of scale.
The visible stone shapes are rounded and substantial against a comparatively restrained band. That contrast belongs to Nudo’s visual language: colour is allowed to occupy a volume rather than being contained inside a heavy-looking border. It is an observation about the official images, not a claim that the setting is absent or that the stones are unprotected. The construction remains a physical part of the object even when the design makes the coloured volumes feel visually dominant.
The wrist completes the composition
The worn photograph is necessary because the studio object has no surrounding scale. Once the bangle is placed at the wrist, the two green ends become accents within a larger arrangement of hand, skin and clothing. Their visual relationship changes: the opening is no longer simply an empty area within a product outline, but a pause across a living surface. The image gives the design a proportion that a large isolated photograph cannot provide alone.
That view can guide practical questions without pretending to answer them all. The bangle’s open form makes correct size and the intended fitting method particularly relevant. A reader should not assume that an open bracelet is freely adjustable or that it can be bent to suit any wrist. The maker’s instructions and the size of the actual reference determine that. An official portrait shows one wearing arrangement, not a test of long-term comfort or mechanical flexibility.
The two Nudo rings shown for context reveal a broader family interest in coloured volumes and restrained supporting lines. They are not alternate views of this bangle, nor do their gemstones inherit the prasiolite specification. Their role is comparative: they show how the idea can move to another part of the body. The bangle’s particular contribution is its unequal pair, held across a visible opening rather than gathered into one conventional centre.
The named reference at a glance
| Item | Pomellato’s published information | Editorial distinction |
|---|---|---|
| Reference | PBC1006-O7WHR-DB0PA | The featured open bangle, not the whole Nudo range |
| Main metal | 18K rose gold | Material stated for this product |
| Coloured stones | Two prasiolites, approximately 9.5 and 5.9 ct | Unequal weights support the visible asymmetry |
| Diamonds | 38 white diamonds, approximately 0.5 ct total | Total weight for the listed diamonds, not each stone |
| Diamond support | 18K white rhodium-plated rose gold | The maker’s specific material wording is retained |
No price or availability promise is made from a single market’s product page. Stone and metal descriptions should be reconfirmed against the supplied reference, and fitting should follow Pomellato’s advice. The photographs are official views; no handling or independent gemmological inspection has been performed for this article.
The Luxe Digital view
The Nudo prasiolite bangle is strongest where its two unequal stones meet a deliberately unfinished circle. Colour supplies the emphasis, but the gap supplies the composition. Pomellato’s specific product record and complete photographs make that relationship readable without needing to turn a visual study into a universal claim about the whole collection.
The Nudo prasiolite bangle is strongest where its two unequal stones meet a deliberately unfinished circle.
Sources & credits
Sources and methodology
Independent visual analysis of current official imagery and named product records, checked on 14 October 2026. Historical introductions, manufacturer specifications and visual observations are kept distinct. No visit, interview, independent handling or appraisal is implied.
- Pomellato — source 1: Current official collection, named designs, dated context and selected image provenance.
- Pomellato — source 2: Current official collection, named designs, dated context and selected image provenance.
